Keen to dispel some long-held misconceptions about the compositions of Franz Schubert, renowned Austrian pianist Alfred Brendel uses words and music to make his case in this third volume of his engaging performance series. Here, Brendel offers brilliantly nuanced performances and insightful musical analysis of the revered Romantic composer's Sonata in G Major, D. 894, and Impromptus D. 899 and D. 935.

ALFRED BRENDEL, EMI CLASSICS (CLASSIC ARCHIVE), BEETHOVEN SONATA OP. 106, BAGATELLES

Internationally renowned pianist Alfred Brendel delivers three different lectures: 'Does Classical Music Have to Be Entirely Serious?', 'Musical Characters', and 'Light and Shade of Interpretation'. Using his piano throughout to illustrate various ideas and concepts. The subject matter for the different sessions include the use of humour in classical music, Beethoven's sonatas, and interpretation. Recorded at the Schuttkasten, Salzburg, 25, 26, 27 September 2010.

A tribute to the great Austrian pianist Alfred Brendel, who died at the age of 94 on 17 June 2025. An acclaimed performer of Beethoven, he leaves behind him a musical legacy spanning more than sixty years. His performance of Beethoven's Piano Concerto No. 3 at Lucerne in 2005 was a highlight of the festival, conducted by Claudio Abbado, another icon of classical music.

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Russian pianist Evgeny Kissin delivers a virtuoso performance of remarkable depth and artistry in this 1990 concert recorded live in Munich at Bavaria Musikstudios. Selections include Franz Schubert's Fantasy in C Major, D 760 ("Wanderer"), Johannes Brahms's Fantasies, op. 116, Franz Liszt's Hungarian Rhapsody no. 12, J.S. Bach's "Siciliana" and Christoph Willibald Gluck's "Melody Dance of the Blessed Spirits."

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Fierrabras of 1823 is the last of Franz Schubert’s stage works. Rarely performed to this day, this heroic-romantic opera has now been staged for the first time ever at the Salzburg Festival by famous director Peter Stein. Based on an old French 12th-century epic, the plot depicts the military conflict between Christians and Moors at the time of Charlemagne – as a backdrop to stories of love and friendship that prove to be stronger than war and hatred of otherness. The strong cast includes the “marvellously expressive miracle Dorothea Röschmann” (Die Zeit) and “Michael Schade, who exudes his exceptional tenor in Fierrabras’s heroic arias” (Der neue Merker). Under the energetic baton of lngo Metzmacher, the Vienna Philharmonic unfold “the melos, the poetry, the sweetness and the dramatic force of Schubert’s highly refined and atmospheric sound worlds” (Kleine Zeitung) in highly romantic fashion.

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